The most notable of these were Devendra Goel's directorial debut Aankhen (1950), whereВ Bhushan plays a martyr and sacrifices his love forВ Nalini Jaywant when he realises his brother is also in love with her andВ Bimal Roy's first Bombay TalkiesВ film, Maa (1952).ДЄt this stage, veteran filmmaker Vijay Bhatt was casting for his ambitious project, Baiju Bawra (1952).

Bhushan had to wait till the end of the decade forВ Sharma's Suhaag Raat (1948) toВ pull his career out of the basement.ДЄfter the young and genial Bhushan had successfully played the bone of contention between two strong women, Geeta Bali and Begum Para, in Suhaag Raat, he was signedВ for several medium-budget films. But director Kidar Sharma and heroine Mehtab got most of the attention for theВ film. He began his career in his early twenties, with a supporting role in the controversial Chitralekha (1941). Stardom knocked on Bharat Bhushan's door only after he had struggled for over a decade. Unfortunately, his offscreen life also underwent many upheavals wherein he lost his wife,В stardom and facedВ diminishingВ fame and fortune. It is difficultВ to imagine any other actor inВ Bhushan roles ( Baiju Bawra, Mirza Ghalib, Basant Bahar, Kavi Kalidas, Barsaat KiВ Raat and Sangeet Samraat Tansen), where he portrayed an artiste who was at odds with a cruel world but still retained aВ songВ on his lips.Д«hushan's films were often extravagant tragedies. Bharat Bhushan may have never been a swashbuckling hero, but he wasВ just right as theВ sensitive, suffering poet-musicianВ in several hit musicals in the fifties and sixties.

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